Sunday, 17 September 2017

Hurting Distance by Sophie Hannah

Hurting Distance by Sophie Hannah
First published in the UK by Hodder and Stoughton in April 2007.

Where to buy this book:



Amazon UK

Amazon US




The Book Depository



How I got this book:
Swapped for at a campsite book exchange

My rating: 3 of 5 stars

Three years ago, something terrible happened to Naomi Jenkins - so terrible that she never told anybody. Now Naomi has another secret - the man she has fallen passionately in love with, unhappily married Robert Haworth. 

When Robert vanishes without trace, Naomi knows he must have come to harm. But the police are less convinced, particularly when Robert's wife insists he is not missing. In desperation, Naomi has a crazy idea. If she can't persuade the police that Robert is in danger, perhaps she can convince them that he is a danger to others. Then they will have to look for him - urgently. Naomi knows how to describe in detail the actions of a psychopath. All she needs to do is dig up her own troubled past . . .

I picked this up in paperback on a campsite book exchange. Mainstream crime thrillers aren't my usual fare, but I was swayed by the three pages of positive review quotes in the front. I really must learn not to take any notice of these as I think, in fact, I read a different book!

Hurting Distance is OK. At four hundred pages, it is a bit too long for its story, but the convoluted plot is certainly unguessable too far before the end. The main protagonist, Naomi, gets to be both spoken about and to speak directly to the reader which is odd at first but does work as a device. Every so often, a chapter will be written in the first person, as Naomi talking to her talking to her beloved Robert. Otherwise the novel is written in third person and present time.

In common with most crime thrillers, there is a serial criminal on the loose, this time a rapist, although Hannah doesn't overdo the clock ticking scenario. Instead there is a huge tangle of personal relationships and characters involved in convenient coincidences - while discussing how they don't believe in coincidences. I did appreciate a comment about linking arrows on the police evidence wall having become just a blob - perhaps an observation of Hannah's plot plan?! The police behaviour is what actually ruined this book for me. The villain and victims are cleverly set up but then the police behave like their TV counterparts, not real police at all. Then so much of the novel's forward drive depends on their irrational actions and jumped-to conclusions that I got quite irritated by the end.

Search Lit Flits for more:
Books by Sophie Hannah / Crime fiction / Books from England

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